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Contributors
Skold – Anomie
Label: | Metropolis – MET 710 |
---|---|
Format: | CD, Album |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Industrial |
Tracklist
1 | (This Is My) Elephant | 5:02 | |
2 | Suck | 3:36 | |
3 | Black Out | 4:03 | |
4 | Angel Of Noise | 4:00 | |
5 | Satellite | 4:12 | |
6 | Becoming | 4:05 | |
7 | The Hunger | 3:41 | |
8 | Here Comes The Thunder | 4:44 | |
9 | And Then We Die | 5:02 | |
10 | Miserably Never Ever | 4:49 | |
11 | Tonight | 3:47 | |
12 | What You See Is What You Get | 4:58 |
Companies, etc.
- Copyright ? – Metropolis Records
- Phonographic Copyright ? – Metropolis Records
- Pressed By – Cinram, Olyphant, PA – Z102398
Credits
- Producer – Tim Skold
Notes
First 1111 pre-orders come with a hand numbered signed limited edition card from Skold.
Barcode and Other Identifiers
- Barcode: 782388071024
- Matrix / Runout: Z102398 DF MET 80710-2 TEXT 01
Other Versions (5)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Anomie (14×File, AAC, Album, Deluxe Edition) | Metropolis | MET 9710D | US | 2011 | |||
Anomie (CD, Album) | Dependent Records | mind 184 | Germany | 2011 | |||
Anomie (12×File, MP3, Album, 256 kbps) | Metropolis | none | US | 2011 | |||
Anomie (14×File, MP3, Album, Deluxe Edition, 256 kbps) | Metropolis | none | US | 2011 | |||
Anomie (12×File, FLAC, Album) | Metropolis | none | US | 2011 |
Recommendations
Reviews
- Edited 9 months agoA traditional punk album with an industrial cherry on top. I mean... it's mostly a guilty pleasure, especially if you compare them with the old albums by Skold and some of the newer ones which are mostly good. If you are sophisticated it will seem to you as unbearably tabloid, predictable, unnecessarily rude at the beginning (in terms of the lyrics), but once you place it on the appropriate scales, you can see a certain charm in this, even a nostalgic element of a long-forgotten irreconcilable masculinity, so to speak. Caustic motives of self-affirmation here quickly flow into harmless street boy's wisdom and then to the anarchy promised in the title, though domestic of course. The guitar parts are consistently skillful. Individual tracks, even though there are about two or three of that type, can surprise a little bit - whether it's "The Hunger" with it's country rock aesthetics (probably the most beautiful guitar part in Tim's career) or the unexpectedly melancholic ending in the final "What You See Is What You Get".
D!XI