Tracklist
Enjoy Your Worries, You May Never Have Them Again | 4:05 | ||
Read, Eat, Sleep | 3:46 | ||
All Bad Ends All | 2:42 | ||
Contempt | 3:20 | ||
All Our Base Are Belong To Them | 4:18 | ||
Thankyoubranch | 5:05 | ||
Motherless Bastard | 4:11 | ||
Mikey Bass | 2:52 | ||
Excess Straussess | 2:06 | ||
Getting The Done Job | 3:49 | ||
A Dead Fish Gains The Power Of Observation | 1:07 | ||
Deafkids | 1:10 |
Credits (1)
- Frieda LuczakDesign [Cover]
Versions
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7 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
![]() | Thought For Food CD, Album | Tomlab – tom20 | Germany | 2002 | Germany — 2002 | Recently Edited | |||
![]() | Thought For Food LP, Album | Tomlab – tom 20 lp | Germany | 2002 | Germany — 2002 | ||||
![]() | Thought For Food LP, Album | Tomlab – tom 20 | Germany | 2002 | Germany — 2002 | New Submission | |||
![]() | Thought For Food LP, Reissue, Album, Remastered, Limited Edition, White W/ Red & Black Splatter | Temporary Residence Limited – TRR180 | US | 2011 | US — 2011 | New Submission | |||
![]() | Thought For Food LP, Album, Reissue, Remastered | Temporary Residence Limited – TRR180 | US | 2011 | US — 2011 | Recently Edited | |||
![]() | Thought For Food CD, Remastered, Reissue | Temporary Residence Limited – TRR180 CD | US | 2011 | US — 2011 | New Submission | |||
![]() | Thought For Food LP, Album, Reissue | Temporary Residence Limited – TRR180 | US | 2016 | US — 2016 | New Submission |
Recommendations
Reviews
referencing Thought For Food (CD, Album) tom20
Early 21st century strummtronica. Neo folk satire. A sonic delight.referencing Thought For Food (LP, Album) tom 20
What I've been wondering is why they had to switch up the track listing on the second side of the discreferencing Thought For Food (LP, Album) tom 20 lp
This album -- as rich, warm, and densely layered as it is -- deeply benefits from the vinyl experience. Been listening for about a decade to Thought for Food and it's like hearing it anew with this 2002 pressing. Excellent. A contemporary, inimitable classic.referencing Thought For Food (CD, Album) tom20
How can you tell if this is a German release? Just because the label is based in Germany? I find it kind of hard to believe that an American band would release their first album exclusively in Germany.referencing Thought For Food (LP, Album) tom 20 lp
This page should be combined with the other page of the same version, right? We have two of the same.referencing Thought For Food (LP, Album) tom 20 lp
For me, the mark up is worth it for the better artworkreferencing Thought For Food (CD, Album) tom20
The Books' first album, THOUGHT FOR FOOD, sees them already blending their cut-up method with folksy strummings, as on "Enjoy Your Worries, You May Never Have Them Again," making the melody more uneasy with vocal snippets. But that's not the only trick up their sleeves: "All Bad Ends All" has a swinging feel, while the slow build of "All Our Base Are Belong To Them" ends in a banjo free-for-all boosted by some hushed vocals. (More vocals punctuate the staccato "Getting The Done Job.") "Thankyoubranch" begins into chaos and ends with darkness, while "Mikey Bass" has plenty of bass plus some additional epiglottal sounds, as opposed to the chopped up strings of "Excess Straussess." Odd fun a-plenty.referencing Thought For Food (CD, Album) tom20
To explore back-road folk while remaining in tune with the modern sampling phenom seems to be an impossible task for most artists interested in bypassing the looming threat of genre-label. The Books have shattered this trend in Thought for Food to create a very unique and surprisingly uplifting piece of work that incorporates traditional folk guitar and cello with experimental sampling and percussion. A must have for instrumental enthusiasts who enjoy balking at the traditional role folk music plays to soothe the listener; The Books inspire thought and vociferous introspection through their investigation of irony and satirical humor, all achieved within the context of remarkably bizzare, yet cheery instrumental banter.
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